{"title":"LAST COPY","description":"","products":[{"product_id":"greymouth-cut-a-crooked-track","title":"Greymouth - Cut A Crooked Track","description":"\u003cp\u003e\u003cem\u003eI Dischi Del Barone \/ Sweden \/ 2020 \/ 7\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSix new tracks from Mark Anderson and Mark Sadgrove, New Zealanders now based in Japan. Obtuse duo skronk starting out on a fairly reasonable note with 'Scantling' but then slowly deconstructing the song format track by track. The Quemada description of their very underrated 2015 12\" makes perfect sense on at least the A-side, \"image a Back from the Grave band that was weened on Operation of Sonne and fronted by a teenage Robert Ashley\", where the more mellow B-side enters a foggy and zonked out Izakaya after hours mode. EP length. Recorded at DOM Studio, Koenji. Mastered by Forbes Williams. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e200 copies pressed. Stamped white labels, postcard attached to the cover, insert. 33rpm.\u003c\/span\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40912630120628,"sku":"IDDB043","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/greymouth-cut-a-crooked-track-578441.jpg?v=1653082642"},{"product_id":"headroom-equinox-20","title":"Headroom- Equinox 20","description":"\u003cp\u003e\u003cem\u003eI Dischi Del Barone \/ Sweden \/ 2020 \/ 7\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA slow-moving, transcendental psych-juggernaut from Headroom that follows up releases on labels like Ever\/Never and Trouble In Mind. Started out as a solo outlet for guitar-player Kryssi Battalene, Headroom shortly evolved into a full band, on this recording with stalwarts Stefan Christensen, David Shapiro, Rick Omonte and Ross Menze. With close to 13 minutes split up over two 33rpm sides, the hypnotic 'Equinox 20' is a very fine example of what's been cooking in New Haven during the last few years. Mind-altering epic rock music to file in somewhere between your expensive old PSF imports, the Flying Saucer Attack discography and all those VU bootlegs. Improvised and recorded in the basement of John Miller, which is where all the Headroom and Mountain Movers stuff is recorded. Sublime! \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e200 copies pressed. Stamped white labels, postcard attached to the cover, insert. 33rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3933705500\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/headroomnhv.bandcamp.com\/album\/equinox-20\"\u0026amp;amp;gt;Equinox 20 by Headroom\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40912686186676,"sku":"IDDB042","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/headroom-equinox-20-489631.jpg?v=1652823446"},{"product_id":"primitive-motion-elemental-dreaming","title":"Primitive Motion - Elemental Dreaming","description":"\u003cp\u003e\u003cem\u003eI Dischi Del Barone \/ Sweden \/ 2020 \/ 7\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrimitive Motion is the dream-float machine driven by Brisbane residents Sandra Selig and Leighton Craig. Elemental Dreaming consists of two songs, the mesmerizing A-side 'Telegrams For Comets' recorded in 2012 (with guest beats by Glenn Donaldson from The Skygreen Leopards etc) and the slower 'Night Colour Song' recorded in 2016. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e200 copies pressed. Stamped white labels, postcard attached to the cover, insert. 45rpm. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3534267021\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/primitivemotion.bandcamp.com\/album\/elemental-dreaming\"\u0026amp;amp;gt;Elemental Dreaming by Primitive Motion\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40912776233140,"sku":"IDDB037","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/primitive-motion-elemental-dreaming-182590.jpg?v=1652823529"},{"product_id":"enhet-for-fri-musik-omhet-skilsmassa","title":"Enhet För Fri Musik - Ömhet \u0026 Skilsmässa","description":"\u003cp\u003e\u003cem\u003eDiscreet Music \/ Sweden \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003eNew Enhet För Fri Musk album, recorded in Gothenburg and Malmö 2020 by Hugo Randulv, Sofie Herner, Gustaf Dicksson, Matthias Andersson and Dan Johansson. A concept album on relationships, family values and broken promises. 18 songs. Edition of 700 copies. With 20-page song book.\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003eFirst press: 700 copies.\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003eSecond press: 500 copies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242587616\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/discreetmusicgbg.bandcamp.com\/album\/mhet-skilsm-ssa\"\u003eÖmhet \u0026amp; Skilsmässa by Enhet För Fri Musik\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40912883187892,"sku":"3","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/enhet-for-fri-musik-omhet-skilsmassa-730988.jpg?v=1652823378"},{"product_id":"anadol-uzun-havalar","title":"Anadol - Uzun Havalar","description":"\u003cp\u003e\u003cem\u003ePingipung \/ Germany \/ RE 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnadol is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Havalar she translates her experimental background into these floating folk ballads. The album was originally released on tape via Kinship in 2018. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Every time we play it out or on the radio someone asks about it. It’s a close listening staple, a world I can’t stop falling into, perfect head music. I think the secret lies, as it so often does for me with new music, in a perfect balance of reference and invention. There are familiar elements - the storytelling in sound of Laurie Anderson, the Dada folksploitation of Aksak Maboul, Berlin school synth romance and Anatolian pop Melodies. But there’s something in the feel and execution I’ve never heard before.\" (Time Is Away) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613331052\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\"\u003e\u0026amp;amp;amp;lt;a href=\"https:\/\/anadol.bandcamp.com\/album\/uzun-havalar\"\u0026amp;amp;amp;gt;Uzun Havalar by Anadol\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40918883270836,"sku":"Pingipung065","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/anadol-uzun-havalar-473708.jpg?v=1652823276"},{"product_id":"coldreams-morning-rain-eyes","title":"Coldreams - Morning Rain \/ Eyes","description":"\u003cp\u003e\u003cem\u003eCamisole Records \/ France \/ 2019 \/ 7\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eWe all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you’ve cherished in the past but who doesn’t need you anymore. \u003cbr\u003e\u003cbr\u003eThis obsessive melancholia infuses the two tracks of this now highly sought-after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335767823\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/camisolerecords.bandcamp.com\/album\/eyes-morning-rain\"\u0026amp;amp;gt;Eyes \/ Morning Rain by Coldreams\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40918978920628,"sku":"CAM014","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/coldreams-morning-rain-eyes-317602.jpg?v=1652823373"},{"product_id":"coldreams-crazy-night","title":"Coldreams - Crazy Night","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cem\u003eCamisole Records \/ France \/ 2020\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAfter the repress of their single Camisole Records is proud to announce the reissue of Coldreams tape « Crazy Night ». \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eRecorded in 1984-1985 by a gang of young students passionate about Post-Punk this record represents the culmination of the band first period. \u003cbr data-mce-fragment=\"1\"\u003eHaunted lyrics and melancholia were already the basics of their sound and from \"Don't Cry\" to \"Crazy Night \/ Burning Passion\" it's difficult to imagine that they were only 18 to 19 years old at that time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Bulbs and Bubbles\" and \"Turn the Button\" show their pop appeal which definitely takes them apart from their contemporaries and all-around gloomy feelings infuse these six tracks which unveils another part of Coldreams history... \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLimited to 500 copies and remastered from original tapes. \u003cbr data-mce-fragment=\"1\"\u003eInsert with band history and unpublished pictures.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=116167797\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/camisolerecords.bandcamp.com\/album\/crazy-night\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Crazy Night by Coldreams\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40918994190516,"sku":"CAM019","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/coldreams-crazy-night-995943.jpg?v=1652823333"},{"product_id":"carla-dal-forno-look-up-sharp","title":"Carla dal Forno - Look Up Sharp","description":"\u003cp\u003e\u003cem\u003eKallista Records \/ Europe\/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCarla dal Forno announces her second full-length album, ​Look Up Sharp​, on her own Kallista Records. \u003cbr\u003e\u003cbr\u003eThe London-based artist enters a new era in her peerless output pushing her dub-damaged DIY dispatches to the limits of flawless dream-pop. In a transformative move towards crystal clear vocals and sharpened production, Look Up Sharp is an evolutionary leap from the thick fog and pastoral stillness of her Blackest Ever Black missives, You Know What It’s Like (2016) and The Garden EP (2017). \u003cbr\u003e\u003cbr\u003eThree years since her plain-speaking debut album, the Melbourne-via-Berlin artist finds herself absorbed in London’s sprawling mess. The small-town dreams and inertia that preoccupied dal Forno’s first album have dissolved into the chaotic city, its shifting identities, far-flung surroundings and blank faces. Look Up Sharp is the story of this life in flux, longing for intimacy, falling short and embracing the unfamiliar. Dal Forno connects with kindred spirits and finds refuge in darkened alleys, secret gardens and wherever else she dares to look. \u003cbr\u003e\u003cbr\u003eIn her own territory between plaintive pop, folk and post-punk dal Forno conjures the ghosts of AC Marias, Virginia Astley and Broadcast through her brushwork of art-damaged fx and spectral atmospheres. The first half of the record is filled\u003cspan class=\"bcTruncateMore\"\u003e with dubbed-out humid bass lines, which tether stoned hazes of psychedelic synth work as on ‘Took A Long Time’ and ‘No Trace.’ These are contrasted with songs like ‘I’m Conscious and ‘So Much better’ that channel the lilting power of YMG and are clear sequels-in-waiting to dead-eyed classics like ‘Fast Moving Cars.’ \u003cbr\u003e\u003cbr\u003eThe B-side begins with the feverish bass and meandering melody of ‘Don’t Follow Me,’ which takes The Cure’s ‘A Forest’ as its conceptual springboard. It’s the clearest lyrical example since ‘The Garden’ of dal\u003cbr\u003eForno’s unmatched ability to unpick the masculine void of post-punk and new wave nostalgia to reflect contemporary nuance. Look Up Sharp reaches its satisfying conclusion with ‘Push On’ - dal Forno’s most explicit foray into an undiscovered trip hop universe between Massive Attack and Tracey Thorn. The album’s last gasp finds personal validation in fragility: ‘I push on \/ I’m the Place I’m Going,’ a self discovery lifted by reverberant broken beats and glass-blown vocals. \u003cbr\u003e\u003cbr\u003eAdding further depth to Look Up Sharp are the instrumentals, which flow seamlessly between the vocal-led pieces. ‘Hype Sleep’ and ‘Heart of Hearts’ drink from the same stream as The Flying Lizard’s dubbed-out madness and the vivid purple sunsets of Eno’s Another Green World. While ‘Creep Out of Bed’ and ‘Leaving for Japan’ funnel the fourth-world psychedelia of Cyclobe’s industrial-folk into the vortex of Nico’s The Marble Index. \u003cbr\u003e\u003cbr\u003eConceived as a whole, Look Up Sharp is a singular prism in which light, sound and concept bend at all angles. A deeply personal but infinitely relatable album its many surfaces are complex but authentic, enduring but imperfect, hard-edged but delicate. A diamond. Look up sharp or you’ll miss it.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=620685745\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/carladalforno.bandcamp.com\/album\/look-up-sharp\"\u0026amp;amp;gt;Look Up Sharp by Carla dal Forno\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40920028610740,"sku":"KALLISTALP001","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/carla-dal-forno-look-up-sharp-909228.jpg?v=1652823278"},{"product_id":"lucrecia-dalt-anticlines","title":"Lucrecia Dalt - Anticlines","description":"\u003cp\u003e\u003cem\u003eRvng Intl.  \/ US \/ 2018\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLucrecia Dalt’s Anticlines is a volume of poetic theory and sound contemplating the bodies of self above and beneath the earth’s surface. On Anticlines, Dalt conjures a sonic space of speculative synthesis and spoken word where South American rhythms rattle contemporary composition recalling Laurie Anderson, Robert Ashley, and Annea Lockwood. LP \/ CD version comes with lyric booklet documenting Dalt’s collaborative work with Regina de Miguel and Henry Andersen alongside a multi-format digital download code. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA portion of the proceeds from your purchase will be charitably designated on behalf of Lucrecia Dalt to Tierra Digna, an organization dedicated to the defense of Colombian communities affected by economic policies that violate human rights and devastate the environment. \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" rel=\"nofollow ugc\" href=\"http:\/\/tierradigna.org\/\" referrerpolicy=\"strict-origin-when-cross-origin\" data-mce-href=\"http:\/\/tierradigna.org\/\"\u003etierradigna.org\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e Come! Mend!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3723701150\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/lucreciadalt.bandcamp.com\/album\/anticlines\"\u0026amp;amp;gt;Anticlines by Lucrecia Dalt\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40920121639092,"sku":"RVNGNL47","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/lucrecia-dalt-anticlines-533679.jpg?v=1652823405"},{"product_id":"peel-dream-magazine-agitprop-alterna","title":"Peel Dream Magazine - Agitprop Alterna","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cem\u003eTough Love Records \/ UK \/ 2020\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003ePeel Dream Magazine is the musical vehicle for NYC's Joe Stevens, who launched the band in 2018 with the critically acclaimed album \"Modern Meta Physic,\" a mysterious, liminal tribute to the hazy end of ‘90s dream-pop that found its place on numerous \"Best of 2018\" lists. Now Peel Dream are back with \"Agitprop Alterna,\" an album that pays homage to sonic and spiritual influences ranging from early Stereolab and Broadcast through stateside groups like Lilys and Yo La Tengo.. \"Agitprop Alterna\" finds Stevens channeling the collaborative spirit of the band's live incarnation in the studio, deepening the connection between the existential and the interpretive first explored on \"Modern Meta Physic.\" It is a rejection of manipulation in all its forms and a buzzsaw against complacency; it's a rare trick to agitate without being obvious, and perhaps that makes \"Agitprop Alterna\" the most Peel Dream Magazine-like statement yet.\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1010633265\/size=large\/bgcol=ffffff\/linkcol=333333\/license_id=872\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/peeldreammagazine.bandcamp.com\/album\/agitprop-alterna\"\u0026amp;amp;gt;Agitprop Alterna by Peel Dream Magazine\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40920283840692,"sku":"TLV127","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/peel-dream-magazine-agitprop-alterna-472730.jpg?v=1652823524"},{"product_id":"sven-kacirek-thomas-klein-rhythmus-i-iv","title":"Sven Kacirek \u0026 Thomas Klein - Rhythmus I-IV","description":"\u003cp\u003e\u003cem\u003eBureau B \/ Germany \/ 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhat happens when you bring together two percussionists who are well-established in the electronic music scene and commission them to produce four tracks exclusively with percussion instruments—with the only requirement being not to deliver any overtly thought-out nerd music? The answer has been provided by Sven Kacirek and Thomas Klein on this SELEKT release.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSven Kacirek has previously released three solo albums, including the highly praised \"Kenya Sessions\" in 2011. He has collaborated with Marc Ribot, Nils Frahm, Hauschka and F. S. Blumm. In 2015 he released an album together with Stefan Schneider on Bureau B.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThomas Klein is a founding member of the band KREIDLER and has published three solo albums on Bureau B since 2011 under the moniker Sølyst.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough the two musicians each speak their own distinct rhythmic language, with only a few data transfers between Hamburg and Düsseldorf they have conjured up four compact tracks, which despite the instrumental limitations are surprisingly diverse in terms of sound, groove and depth.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/266981896\u0026amp;color=%231b1919\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/bureau-1\" title=\"Bureau B\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eBureau B\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/bureau-1\/kacirekklein\" title='SELEKT Vol. 3(12\") Kacirek+Klein Snippets (out August 12th, 2016)' target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eSELEKT Vol. 3(12\") Kacirek+Klein Snippets (out August 12th, 2016)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40920372576436,"sku":"BB233","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/sven-kacirek-thomas-klein-rhythmus-i-iv-311242.jpg?v=1652823563"},{"product_id":"karen-marks-cold-cafe","title":"Karen Marks - Cold Café","description":"\u003cp\u003e\u003cem\u003eEfficient Space \/ Australia \/ 2019 \/ 12\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAlmost four decades since it’s domestic release, Karen Marks’ 1981 single Cold Café has finally reaped it’s deserved international credit to become one of Australia's most recognised minimal wave recordings. Efficient Space now showcases the Melbourne artist’s brief but entire discography, including two previously unheard demos, all produced with experimental synthesist Ash Wednesday (The Metronomes, Modern Jazz, Thealonian Music). \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA rarity in the then male dominated industry, Marks found her footing in music, first through rock journalism and then in band management. Formally of Adelaide, newly arrived synth-punks JAB (Johnny Crash, Ash Wednesday and Bodhan X) approached her for representation, subsequently contributing tracks to seminal 1978 snapshot Lethal Weapons and playing the Crystal Ballroom's opening night. Wednesday and Crash would soon dissolve JAB, enlisting Mark Ferry and Sean Kelly to create Models. Still under Mark's management, Models became one of the fastest rising new bands of the punk movement, playing to full houses of dedicated and frenzied fans everywhere. Sadly, internal frictions forced Wednesday and Marks to leave after two years, with Crash following three months later. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHer creative relationship with Wednesday\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e fortified with the co-production of his 1980 machine-pop prank Love By Numbers, her swooning chorus uplifting his deadpan count to 100, before the two collaborated on Marks’ own recording persona. Immortalised by the icy Oz wave of Cold Café, her Astor issued 7” also boasted the caffeinated flip Won't Wear It For Long - a should be hit with guitar from future Icehouse member Robert Kretschmer. \u003cbr\u003e\u003cbr\u003eFans know of one more recording - You Bring These Things, a forlorn arrangement of an otherwise unreleased Paul Kelly song, gifted to her by the revered wordsmith. The track only ever appeared on the Astor promotional LP Terra Australis, sinfully alongside Up There Cazaly and Joe Dolce - hard proof that the label grossly misunderstood her talent (Marks recalls their persistent requests to show midriff and cleavage). Locked in a dissatisfying label arrangement and at this stage unwilling to follow her peers to greener pastures overseas, she felt her only way out was to cease all further activities. \u003cbr\u003e\u003cbr\u003eAt the 11th hour of preparing this retrospective, two tracks unexpectedly surfaced via two cassettes - a paranoid demo version of her signature tune Cold Café, and a long-lost fourth song Problem Page. Both living room recordings follow Marks and Wednesday’s ingenious framework of minimal lyrics, minimal chord progressions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=176927138\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/efficientspace.bandcamp.com\/album\/cold-caf\"\u0026amp;amp;gt;Cold Café by Karen Marks\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40920438079668,"sku":"ES012","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/karen-marks-cold-cafe-705698.jpg?v=1652823439"},{"product_id":"heather-leigh-glory-days","title":"Heather Leigh - Glory Days","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eBoomkat Editions \/ UK \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHeather Leigh is a musical polymath in the truest sense of the word; primarily known as an influential practitioner of pedal steel guitar, her work is impossible to pigeonhole - all-over-the-place in the best way, from collaborations with Peter Brötzmann and Shackleton to a properly mind-bending duo of albums for Stephen O’Malley’s Ideologic Organ and Editions Mego - hers is a sound that’s both highly sensual and aesthetically aggressive, beautiful and fearless. Her ‘Glory Days' album for Documenting Sound has now been remastered and pressed on vinyl - and is, for our money - one of the most intangible yet open-hearted pop records of the year.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Composed, performed \u0026amp; mixed by Heather Leigh \"at home with the window open” in Glasgow, ‘Glory Days’ contains a shocking half hour of music; a 13 track opus that is, by any measure, nothing short of a modernist folk masterpiece. Recorded quickly and instinctively in April this year and described by David Keenan as sounding like \"a cross between Meredith Monk, DOME and A Guy Called Gerald\", it continues to reveal new dimensions with every listen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlayed on pedal steel guitar, synthesiser and cuatro, and featuring Heather Leigh’s voice throughout, the songs here capture a sense of physical longing wrapped in a boundless creative energy. What started out as hours of diaristic recordings quickly became honed and crafted into powerful and highly memorable songs - vast in scope and depth of feeling. It’s hard to fathom that these 13 songs were made on the hoof, they capture that most elusive of artistic qualities - an urge to continuously evolve.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=97743417\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/heatherleigh.bandcamp.com\/album\/glory-days\"\u0026amp;amp;amp;amp;amp;amp;gt;Glory Days by Heather Leigh\u0026amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40927869042868,"sku":"BKEDITDS05","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/heather-leigh-glory-days-181157.jpg?v=1652823404"},{"product_id":"potter-natalizia-zen-magari","title":"Potter Natalizia Zen -  Magari","description":"\u003cp\u003e\u003cem\u003eEcstatic \/ Europe \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMaster synthesists Colin Potter (Nurse with Wound), Alessio Natalizia (Not Waving), and Guido Zen (Vactrol Park, Brain Machine) reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European synth music for modern ears, ‘Magari’ - meaning “I Wish” in Italian - adapts their style to the unique Afro-Latin lilt of Brazilian music with central use of the Berimbau; a single-stringed percussion instrument commonly associated with the elegant martial art\/dance of Capoeira, which the band’s Guido Zen brought home from his travels in South America. Combined with their juicy, almost fleshly arps and Guitar pedal-generated computer voice, the results are wonderfully wide-eyed, embracing bouts of motorik rhythm beside vertiginous noise wormholes and mystic tone poems that speak to a cumulative experience spanning decades spent hunting for life between the wires. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike their first LP, much of the recording took place\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e remotely or in pairs, and rarely with all three present, before the parts were mixed down at Colin’s studio in Leytonstone. In its journey between the intricate meters and perpendicular vectors of ‘Too Much Traffic’, and their mesh of curdled tones with their phone recordings of a manic preacher in Camberwell on ‘Saved’, they variously recall Craig Leon’s alien invocations of Dogon folk tales as much as the heady dissonance of Alessandro Cortini; producing outstanding pieces of tangibly haptic substance in ‘Sergio’ and infectiously tip-of-tongue Berimbau twang on ‘Gennaio’, and for good measure, something like Phil Collins gently losing the plot after healthy dose of Ayahuasca in ‘Fill’, while ‘Ancora’ sounds like Basic Channel scoring Herzog’s Aguirre\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2433692697\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/potternataliziazen.bandcamp.com\/album\/magari\"\u0026amp;amp;amp;amp;amp;amp;gt;Magari by Potter Natalizia Zen\u0026amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928054902964,"sku":"ELP054","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/potter-natalizia-zen-magari-836631.jpg?v=1652823542"},{"product_id":"maria-teriaeva-conservatory-of-flowers","title":"Maria Teriaeva - Conservatory Of Flowers","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003eHidden Harmony Recordings \/ Estonia \/ 2020\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eConservatory of Flowers is the second album by a Siberian-born, Moscow-based musician and composer Maria Teriaeva. Following her solo debut Focus in 2017, Conservatory of Flowers focuses on rhythm and percussive elements, cutting down ambient passages and leaning even more toward traditional song forms, structuring compositions into pop-length pieces. Recorded over a period of three years, mostly composed during one summer at her dacha (cottage in Russian) just outside of Moscow, resulting in a vibrant and light sound inspired by her surrounding nature. \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eIn addition to analog synthesizer, the album also features Nikita Shishkov on trumpet, Vasiliy Yanik on saxophone, Yana Chekina on cello, Sasha Elina on flute and Vadik Korolev on vocals, with the album closing off with a remix by Sapphire Slows. \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eThe vinyl release of the album will be available in June 2020 on Hidden Harmony Recordings, with a special edition vinyl (limited to 100 copies) coming with an incense paper as a collaboration with olfactory artist NJ Neumann; when burned it provides an ambient scent inspired by the music.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027003283\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/mariateriaeva.bandcamp.com\/album\/conservatory-of-flowers\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Conservatory Of Flowers by Maria Teriaeva\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928161890484,"sku":"HH02","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/maria-teriaeva-conservatory-of-flowers-247771.jpg?v=1652823469"},{"product_id":"giuseppe-lelasi-aix","title":"Giuseppe Ielasi - Aix","description":"\u003cp\u003e\u003cem\u003eKeplar \/ Germany \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Aix\" is an outstanding piece of work by Italian electro-acoustic savant Giuseppe Ielasi, originally released in 2009 on Taylor Deupree's 12k label, the follow-up to 2007’s \"August\" (12k) and Ielasi's first collaboration with Nicola Ratti as \"Bellows\", also out in 2007 (Kning Disk). Originally only released on CD (12k), the album got a very limited vinyl issue on Czech label Minority Records in 2010. Keplar presents this extraordinary and timeless collection of 9 evocative minimalist soundscapes on vinyl again after 10 years.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the original press release in 2009:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"With Aix we see Ielasi building his layered, atmospheric music around rhythmic grids. Most of the time these are quite irregular and the pulses are not neccessarily stable or clear. Where his previous work approached sound in a linear fashion Aix imposes a strong vertical development with the aforementioned grid and a production consisting of ons and offs, employing as much improvisation as Ielasi’s previous work, but in a different way.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDespite the self-imposed grid structure, Aix relies heavily on randomization. Not in the traditional sense of sound placement but instead of the spatialization of sounds, echoes, reverbs and the stereo image. As a result, Aix has an amazing sense and clarity of space as the small fragments of sound breathe and find their own place in the mix, thanks to Ielasi’s sublime skills as a mixer and engineer.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIelasi relied heavily on numerous short samples and combining them in ways that fell into his groove; some found from others' recordings and many more recorded during the past year. We hear fragments of percussive (acoustic) objects, drums, piano, trumpet, guitar, and, of course, synthetic textures. Although there is a distinct rhythmic pulse to Aix, Ielasi manages to mold it into something wonderfully languid and warm... and strangely inviting.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposed and recorded by Giuseppe Ielasi in Aix-en-Provence, Autumn 2008. Remaster by Giuseppe Ielasi. Cover photograph \"Construction, Barcelona\" by Taylor Deupree. Layout by Dan Dudarec\/Marco Ciceri.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor more than 20 years Giuseppe Ielasi has been releasing his recordings on labels like Erstwhile Records, Häpna, Kning Disk, Dekorder, 12k, Entr'acte or Editions Mego, as well as on his own label Senufo Editions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe label Keplar has been on a long hiatus and is now back with its KeplarRev series presenting vinyl re-issues of essential electronic albums from the 90's and 00's, as well as new recordings by momentous electronic and ambient artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3385518869\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/12kmusic.bandcamp.com\/album\/aix\"\u0026amp;amp;amp;amp;amp;amp;gt;Aix by Giuseppe Ielasi\u0026amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928269172916,"sku":"KeplarRev02LP","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/giuseppe-ielasi-aix-208614.jpg?v=1652823454"},{"product_id":"cucina-povera-zoom","title":"Cucina Povera - Zoom","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNight School \/ UK \/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eZoom is a verité collection of situational recordings made by Cucina Povera – aka Finnish-born, Glasgow-based sound artist Maria Rossi – in intimate spaces full of acoustic or ideological intrigue, primarily using a capella voice. It is a document of different locations and moods that interested the recorder, a postcard look into the stream-of-consciousness processes of an artist developing her own language. Using little else other than a Tascam Zoom recorder and loop pedal these are highly personal recordings originally intended as notes for future compositions that ended up becoming the purest rendition of this first phase of Cucina Povera’s music to date\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally presented as WAV files named simply ZOOM—, these on-the-fly compositions are a perfect distillation of Rossi’s practice. With little augmentation, not even a song-title, these bare, beautiful tracks become a materialist document of the wonder of the every-day. While Rossi’s previous album, Hilja, was a sculpted whole that at times used post-production techniques and electronic instruments, Zoom presents acoustic sound as a source of joy and discovery largely without artifice. Rossi’s voice is used a searchlight, shining into the crevices of a room’s dark corners, or as on ZOOM0005, projected into a Coke bottle aperature, for an almost Shakuhachi texture. Voice dissapates into texture, with rhythms created by simple hissing sounds and the interweaving of loops. ZOOM0001 interlocks 4 different a capella melodies to create a chorus, an improvised solo hymn that seems to rise and rise. ZOOM0010 uses staccato vocal bursts, like Meridith Monk huffing out Steve Reich rhythms, while the soloing Rossi expertly ducks in and out of the frame. Like the most celestial moments of her debut Hilja it is a religious experience but rendered more powerful in its naked, secular form.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, there are shades of Hilja in the sounds, with some strains resurfacing from that album, insinuating that Rossi’s practise is a continuing form, a series of sentences in the artists’ personal language that mutate over time, bending into new shapes. On Zoom, Rossi’s minimalism is fully stark, a process fully transparent and all the more celestially powerful because of it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1280286379\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/cucinapovera.bandcamp.com\/album\/zoom\"\u0026amp;amp;gt;Zoom by Cucina Povera\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928324419764,"sku":"LSSN064","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/cucina-povera-zoom-829661.jpg?v=1652823421"},{"product_id":"jacob-sachs-mishalanie-scribble","title":"Jacob Sachs-Mishalanie - Scribble","description":"\u003cp\u003e\u003cem\u003eMondoj \/ Poland \/ 2020 \/ CS\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Scribble' is truly a befitting name for this collection of miniatures created by composer and sound designer Jacob Sachs-Mishalanie. Recorded at his home this past Summer, the short, sweet pieces really are like aural scribbles in a notebook. Slightly chaotic and seemingly unintentional, the 7 tracks exhibit a childlike wonder, a fascination with how various sounds or rhythms work (or don’t work) in tandem. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the time of writing, Sachs-Mishalanie was particularly interested in exploring loose evolving patterns, utilizing sounds that feel both natural and synthetic - for instance atmospheric field recordings, uncanny MIDI xylophones, and clumsy samples of his own voice. The resulting pieces each explore a singular environment, in which various elements (often quite literally) bounce off each other. There is no obvious logic to how these pieces evolve and behave, but there is something uniquely captivating about these recordings - they are surreal, yet eerily familiar. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJacob Sachs-Mishalanie is currently a PhD candidate in music composition at the CUNY Graduate Center, where his research focuses on the music of Pierre Schaeffer. He also teaches Music Technology courses at Hunter College and Brooklyn College, creates Max for Live devices, scores and sound designs for theatre, and records and mixes chamber music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014498190\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/mondoj.bandcamp.com\/album\/scribble\"\u0026amp;amp;gt;Scribble by Jacob Sachs-Mishalanie\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928493207732,"sku":"MONDOJ14","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/jacob-sachs-mishalanie-scribble-888516.jpg?v=1652823440"},{"product_id":"daily-fauli-fauli-til-dauli","title":"Daily Fauli - Fauli Til Dauli","description":"\u003cp\u003e\u003cem\u003eMinimal Wave \/ US \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDaily Fauli was the rare minimal synth project of Danish artist Søren Fauli. In 1983, he released one album entitled Fauli Til Dauli \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eon a small label called Gry Records. Søren was nineteen when he recorded this masterpiece and had no prior musical training. He had been playing in punk bands as a teenager and decided to break off to make a solo record. With access to stolen equipment, mainly synthesizers, he wrote these songs very spontaneously and recorded them in a period of one week. He designed the artwork using portraits his friend shot of him in his bedroom with his Casio VL-1 tone in hand, and mocked up the cover and inner sleeve himself in total D.I.Y. fashion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1983, the record was released in an edition of 500 transparent green vinyl LPs with a black and white inner sleeve with his song lyrics. It is a true work of art and has become a cult classic over the years. We are thrilled to be able to present it to you, remastered and pressed as a limited edition of 999 copies. The record is pressed on 180-gram transparent green vinyl presented in a heavyweight sleeve featuring the original album artwork accompanied by an inner sleeve with an unpublished photo of Søren and inner sleeve artwork. \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=186488521\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/dailyfauli.bandcamp.com\/album\/fauli-til-dauli\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Fauli Til Dauli by Daily Fauli\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40928633651380,"sku":"MW073","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/daily-fauli-fauli-til-dauli-752067.jpg?v=1652823353"},{"product_id":"rapoon-vernal-crossing","title":"Rapoon - Vernal Crossing","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eAbstrakce \/ Spain \/ 2020 \/ 2LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eVernal Crossing is Rapoon´s fourth album, originally released in 1993 by Staalplaat. One of the most interesting records released by Robin Storey (founding member of the pioneering industrial group :zoviet*france) on vinyl now for the first time. \u003cbr\u003eA magic balance between percussion and electronics, creating mind-bending tapestries of minimalistic patterns and quasi-melodic drones fused with occasional doses of well-placed white noise. An approach much in debt to his 12 year stint with *zoviet-france*. It paints a gossamer diaphanous drifting veil of mood over the top. Other than some moody loops and psychoacoustic dimensions, it sounds authentic - hardly a trace of crude electronics or sampling. The drumming - in soft tones rather than hard hitting ones - does nothing to intrude on the passive mood. The overall atmosphere does not really change throughout the recording making it a cool, pacifying atmosphere while having the madcap tempo which would be very easy to dance to. \u003cbr\u003eThis edition includes a new track called Total Crossing, edited\/constructed by Colin Potter, who has been in charge of the remastering of the record. A deep drone trance\/meditation edit that blew Robin´s own mind (and also ours!). The successful\u003cspan class=\"bcTruncateMore\"\u003e experiment explained by Colin: “I imported all the masters to my DAW to make a mock-up of the LP \u0026amp; initially they were all together at the beginning of the multitrack, before I spaced them out in the record's running order. And I thought.... what would it sound like with them all playing at once? Well, it was actually suprisingly interesting, so I did a mixdown”.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2591389915\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/abstrakce.bandcamp.com\/album\/vernal-crossing\"\u0026amp;amp;gt;Vernal Crossing by Rapoon\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40931689791668,"sku":"ABST15","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/rapoon-vernal-crossing-302086.jpg?v=1652823526"},{"product_id":"sandro-mussida-eeeooosss-limited-ed","title":"Sandro Mussida - EEEOOOSSS (Limited Ed.)","description":"\u003cp\u003e\u003cem\u003eSoave \/ Italy \/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"After working on these pieces for a while I began to associate the sounds with the colour pink. Eos, for Homer, is the rosy-fingered goddess of dawn, whose light during this special moment transforms gradually before our eyes into many tonalities of oranges and blues. Since the three instruments and tuning systems interweave with each other in the acoustic space, similarly the idea of taking this relationship into the realm of the visible appealed to me, thus the three different materials are overlapped one on the other creating a sort of interaction with the light.\" \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSandro Mussida \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e300 copies.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1403754621\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/soave.bandcamp.com\/album\/eeeooosss\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;EEEOOOSSS by Sandro Mussida\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40931835314356,"sku":"GRA05","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/sandro-mussida-eeeooosss-limited-ed-386346.jpg?v=1652823615"},{"product_id":"stu-cisco-amanita","title":"Stu Cisco - Amanita","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eGlossy Mistakes \/ Spain \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eForty years ago, Canadian musician Sherine Cisco, imagined a mysterious world soundtracked by synthesizers. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eBy the time ‘Amanita’ was first released in 1980 (only 300 copies were pressed at the time), Sherine had been playing synths for seven years. But far from acknowledging how traditional instruments were played, she tried to do things here own way, creating moving landscapes and a unique language of sound. This DIY approach to\u003cspan class=\"bcTruncateMore\"\u003e music was as well how the album was made, in her own studio, with synthesizers that were originally meant for live performances such as the Elka Rhapsody or the Elektro Harmonik channeled through a Dokorder 4 Tape Recorder. \u003cbr\u003eHowever, what Sherine Cisco was living in her personal life, a gender transition, was as important to the record as the instruments she used to create it. “Beginning in the early 1980's, I began experimenting with taking the female hormone, estrogen. I felt like I was gradually being re-born. It affected my music, the mood of the music, and me, physically and mentally”. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eA spacey vibe surrounds each of the 12 cuts that compose ‘Amanita’, waving from ambient to experimental music, introducing drone noises that add mystery to the whole piece and creating epic moments with the Mini Moog accompanied by Randy Gray’s drums. To close things off, a synth pop infused track works as a masterpiece ending to this story. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eSpeaking about her background and how ‘Amanita’ was conceived, very close to classical music, Sherine states that “the influences were Klause Shultz, Tangerine Dream, Stockhausen… I was a big fan of classical music and had a big collection of classical LP's by the time I was 15. Synth music was my way expressing those feelings I got from classical.\".\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2356027585\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/glossymistakes.bandcamp.com\/album\/amanita\"\u003eAmanita by Stu Cisco\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40931877421236,"sku":"GLOSSY 005","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/stu-cisco-amanita-224444.jpg?v=1652823578"},{"product_id":"laughing-hands-dog-photos","title":"Laughing Hands - Dog Photos","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eB.F.E. Records \/ Spain \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLaughing Hands worked in the experimental music scene in Melbourne in the very early 1980s. They were an improvisation group using tapes, synthesisers, guitar and hand percussion much of which was then treated through the synthesisers, producing their soft, insistent and rhythmic sound. “Dog Photos” was originally releasedin 1981 by band´s own label Adhesive records. \u003cbr\u003e\u003cbr\u003eThe sounds in these 11 pieces are a combination of direct to tape \u0026amp; cassette to tape recordings, a perfect mix of electronic tape explorations, spectral synths shadings and foreground rhythm abstractions. \u003cbr\u003e\u003cbr\u003eFor fans of Chris \u0026amp; Cosey, Dome, Cabaret Voltaire, Coil…\u003cem data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4280951057\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40931977494708,"sku":"BFE059","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/laughing-hands-dog-photos-330618.jpg?v=1652823416"},{"product_id":"carl-matthews-col","title":"Carl Matthews - Col","description":"\u003cp\u003e\u003cem\u003eAbstrakce  Records\/  Spain \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbstrakce is really excited to finally present one of the most rare, interesting and difficult to find of Carl Matthews´ cassettes on vinyl for the first time and remastered by Colin Potter. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposed and recorded at his own home studio in1991 and influenced by Harmonia and Cluster, Matthews developes a really personal project. A very delicate usage of rhythm machines, samplers, sequencers, e-bowed guitars that show up briefly hinting at a lo-fi Innovative Communication feeling... The capricious nature of these experiments opens many different doors of wonder to the curious heads, easing deep listening away from clichéd Berlin School, New Age or Krautrock -the most obvious reference points here-, into a foreverland of non academic modernism, where to take shelter and briefly vanish. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuiet but not static, mellow but not too new agey and trippin' but not too trancey, this music finds its own space and character in the world of home recorded electronica. A true jewel of the european electronic underground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4185238449\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40933906055348,"sku":"ABST017","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/carl-matthews-col-710332.jpg?v=1652823284"},{"product_id":"sentuhla-la-curva-paralela","title":"Sentuhlá - La Curva Paralela","description":"\u003cp\u003e\u003cem\u003eAbstrakce  Records \/ Spain \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSentuhlà is one of the many aliases of musical jack of all trades José Guerrero, a long standing figure in the already rich underground scene of Valencia. In this solo excursion he explores the vast possibilities of mechanical repetition, the machine funk of dirtbag rhythms and proper boogie DIY synth music, sculpting a syncopated sound that is both modern and atavistic. Coming from a deep knowledge and ability to communicate very diverse sounds, slow jams unfold into dance music for clear eyed lounge lizards for whom sleaze comes not dizzy but focused. Whitened african rhythms beat up no wave disco pleasure points, managing the hard task of being very cool and nonchalant, but also hot and dedicated. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis closed door nightclub music will appeal to fans of the new developments in dance music that put Cabaret Voltaire, impLOG or Orchestre Poly-Rythmo de Cotonou into XXI Century basements. The record comes also with a killer remix by Tolouse Low Trax, probably our favourite producer in modern rhythmic music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=107569438\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40933940527284,"sku":"ABST014","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/sentuhla-la-curva-paralela-454725.jpg?v=1652823565"},{"product_id":"maths-balance-volumes-a-year-closer","title":"Maths Balance Volumes -  A Year Closer","description":"\u003cp\u003e\u003cem\u003e Penultimate Press \/ London \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIt makes less sense to say that Maths Balance Volumes formed in 2002 than to say that, since that year, they have been collapsing into something, again and again. Just as the three members fell together with no plan or allegiance to any style or genre, each track falls together as the broken pieces of songs and sounds meet to make a temporary and frightening whole. Things make their way into a Maths Balance Volumes song when they don’t or won’t work anymore, when they have escaped their owner, or hidden away where nobody is supposed to find them. When things fall together—when the wooden creaks and radio hisses gather for a minute alongside bass lines and melancholy voice—there is a beauty that sounds like it was made by nobody and for nobody. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe city of Mankato, Minnesota has been the steady gathering point for the band since its beginnings. Mankato had always provided an ominous backdrop: built on stolen Dakota land, the city was the site of the largest mass execution in US history, when 38 Dakota prisoners were hanged on in 1862 in a straightforward act of genocide. But in their music of the past twelve years, Maths Balance Volumes has made music in and of a hometown overshadowed and unsettled by its history, music for a world in which things have never been\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e okay. Traditional American folk genres seep in at times, but never as the incarnation of a living popular culture—only as ghosts or unliving effigies. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Year Closer tells us already in its title what its theme is: approaching death, time ticking away and getting closer with each track of the record. We are told in the first song that our protective mask isn’t working, warned by the storm clouds and a ticking bedroom clock in “Dark Skies.” We hear fears of death approaching in the sad words exchanged by lovers who see they will run out of time, or already have, as in “We Had Time” or the romantic lament of “When I Drink.” In “Work Last Monday,” all of life passes with cold automatism in an “office apartment,” as a narrator broods over early onset dementia, remembers the details of rituals for respecting the dead, and thinks of how a hole is opening up in reality itself. The singer of “Over the Hill” isn’t apparently afraid of growing older and becoming a “man,” but only leaks a few disjointed details of his plans for disappearing, collapsing, turning into a tree, and finding a home. “Angel of Mercy” tries to resurrect the Christian promise of a life after death, anxiously asking if anyone is up there waiting for us after the oblivion of this world. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut these are just the moments when A Year Closer speaks in words clear and audible enough to be understood. The giddy, agitated voice of “The Price” speaks only to itself in a private language, hidden away in a tin can somewhere. Musically, A Year Closer is a series of pieces that make symphonies out of separate processes of decay and disappearance: unidentified cracking and creaking objects, broken equipment, and lost melodies that seem to have escaped other songs and wandered into the room looking for a place to hide. These are the moments that the listener of Maths Balance Volumes always knows are coming, waits for, and settles in temporarily for a moment of repose. Maybe this is the meaning of A Year Closer: while waiting for the worst, things come together, a “we” with no name but with a rhythm, a tenuous but definite harmony to share as the clock ticks. Even if, when the lights are turned on, it turns out nobody was there. – Paul Buchholz\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2205863126\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/penultimatepress.bandcamp.com\/album\/a-year-closer\"\u0026amp;amp;gt;A Year Closer by Maths Balance Volumes\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40935687585972,"sku":"PP48","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/maths-balance-volumes-a-year-closer-689545.jpg?v=1652823486"},{"product_id":"trjj-ksun-encounter","title":"TRJJ - KSUN Encounter","description":"\u003cp\u003e\u003cem\u003eStroom \/ Belgium \/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003csection class=\"block block-system clearfix clearfix\" id=\"block-system-main\"\u003e\n\u003cdiv class=\"block-content\"\u003e\n\u003cdiv class=\"ds-4colnode node-record view-mode-full record-nodes clearfix\" typeof=\"sioc:Item foaf:Document\" about=\"\/record\/vinyl\/ksun-encounter\"\u003e\n\u003cdiv class=\"card basic-margin-top-bottom clearfix\"\u003e\n\u003cdiv class=\"group-4 record-node record-node__description\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eAccompanying 12\" to the 'Music Compilation: 12 Dances' LP release . Limited collab w' Meakusma for Meakusma Festival 2019\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2787603949\/size=large\/bgcol=333333\/linkcol=0f91ff\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stroomtv.bandcamp.com\/album\/ksun-encounter\"\u003eKSUN Encounter by TRjj\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40941521371316,"sku":"STRM12-029","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/trjj-ksun-encounter-221089.jpg?v=1652823693"},{"product_id":"trii-group-curiosity-vs-classification","title":"Trii Group - Curiosity vs Classification","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eTRii Group \/ Germany \/ 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis informational audio recording addresses formats of knowledge production that operate outside of generally recognized disciplines. A type of knowledge production which is non-disciplinary and in this regard autonomous. Such uncategorizable, ambivalent, brittle, indiscernible forms, that allow us to think a mode of being that is to some extend separate from but still within this world. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4205415005\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/trimusic2.bandcamp.com\/album\/curiosity-vs-classification\"\u003eCuriosity Vs. Classification by TRii Group\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40941881032884,"sku":"none 1","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/trii-group-curiosity-vs-classification-444169.jpg?v=1652823685"},{"product_id":"nef-mais-alors-cest-a-lenvers","title":"Nef - Mais Alors!!?... C'est À L'Envers","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIci Bientôt \/ France \/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3107090641\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;lt;a href=\"https:\/\/nefmaisalors.bandcamp.com\/album\/mais-alors-cest-lenvers\"\u0026amp;amp;amp;amp;amp;gt;Mais Alors!!?...C'est à l'envers by NEF\u0026amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40942107426996,"sku":"IBLP01","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/nef-mais-alors-cest-a-lenvers-469473.jpg?v=1652823465"},{"product_id":"niko-tzoukmanis-hope-is-the-sister-of-despair","title":"Niko Tzoukmanis - Hope Is The Sister Of Despair","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eLibreville Records \/  France \/ 2021 \/ 2LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Androids may not yet dream of electric sheep, but maybe computers do sing sad songs. \"\u003c\/p\u003e\n\u003cp\u003eAll Music made on computers is just data, just a stream of zeros and ones. In other words, it’s all binary, a base-2 number system invented by Gottfried Leibniz. \u003cbr\u003eHowever complex the information, it’s expressed only in presences and absences – like switches set either on or off or decisions made or not. Every event in the music, however tiny, is therefore surrounded by a field of absence, of paths not taken and discarded possibilities. What’s there might mourn for what’s not.\u003c\/p\u003e\n\u003cp\u003eCertain kinds of electronic music are characterised by a kind of ‘happy\/sad’ feeling. Where does this mixed emotion come from? It could be something about the aesthetics that inform the music – altered states and a nostalgia for a lost idea of the future. Or, it could be the ebb tide of serotonin washing back in certain clubs and certain people. One can wonder, though, if it’s also to do with the ‘one’ missing the ‘zero’–the sadness inherent in the presence of absence–that is there, and not, from the very moment of the music’s creation.\u003c\/p\u003e\n\u003cp\u003eIn 2013, Tzoukmanis released ‘Hope Is The Sister Of Despair’, issued here for the first time on vinyl with 4 previously unreleased tracks. \u003cbr\u003eThe album was made following the end of a relationship and the happy\/sad feeling is everywhere in this music. Sequences twinkle and nag, soft pads pour balm on tired ears and when drums do appear they provide an intimate framework rather than a call to the dance floor. The album taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series. It also looks forward, prefiguring the return today, in troubled times, to the comforting inner space of ‘90s-worshipping ambient techno.\u003c\/p\u003e\n\u003cp\u003eThe German word ‘weltschmerz’, roughly translating as ‘world sadness’, fits this music well. The melancholy it inspires feels collective, almost heartening. Sorrow might be said to infuse the technology’s basic building blocks – Leibniz’s binary ‘one’ bereft of its ‘zero’, its presence twinned with absence. But there is hope, too, in the network of actions and decisions that have been fashioned here into melody and rhythm.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1738028498\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/nikotzoukmanis.bandcamp.com\/album\/hope-is-the-sister-of-despair\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Hope Is The Sister Of Despair by Niko Tzoukmanis\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40942248100020,"sku":"LVLP-2006","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/niko-tzoukmanis-hope-is-the-sister-of-despair-795925.jpg?v=1652823486"},{"product_id":"kraus-a-golden-brain","title":"Kraus - A Golden Brain","description":"\u003cp\u003eUltra Eczema \/ Belgium \/ 2020\u003c\/p\u003e\n\u003csection class=\"block block-system clearfix clearfix\" id=\"block-system-main\"\u003e\n\u003cdiv class=\"block-content\"\u003e\n\u003cdiv class=\"ds-4colnode node-record view-mode-full record-nodes clearfix\" typeof=\"sioc:Item foaf:Document\" about=\"\/record\/vinyl\/golden-brain\"\u003e\n\u003cdiv class=\"card basic-margin-top-bottom clearfix\"\u003e\n\u003cdiv class=\"group-4 record-node record-node__description\"\u003e\n\u003cp\u003e\"Ultra Eczema rarely reissues records: firstly, because we believe it’s hard to improve on a good original (and we would never want to republish anything that isn’t); and secondly, it’s called the Internet and you can find everything on it. Nonetheless, in 2015 we reissued Kraus’ ‘I could Destroy You With A Single Thought’, a CDR from 2004, because it was camping in our all-time favourite records list for a decade and the data on this erratic medium tends to erase itself, much like a troubled past.\u003c\/p\u003e\n\u003cp\u003e‘A Golden Brain’ was published in the first wave of the Covid pandemic via Kraus’ bandcamp as a digital release. And once again we couldn’t help ourselves. This is Kraus at his best: if a bedroom could be a stadium, he would play the main stage!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKraus played synthesizer, guitar, bass, tape loops, sampler and percussion. All songs written, performed, recorded, and mixed by Kraus at Pudding Island, Auckland in 2019 and 2020, except \"Queen of the Land of Gorre\" recorded at Rocklands, Auckland 2017. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Then he hewed the brain in an hundred pieces, and when he had done so he took up all those pieces, and threw them out at a window into the ditches of the castle.\" \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eLimited edition of 300 copies. Includes an insert, download code and a UE sticker.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=405689112\/size=large\/bgcol=333333\/linkcol=0f91ff\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;lt;a href=\"https:\/\/ultraeczema.bandcamp.com\/album\/a-golden-brain\"\u0026amp;amp;amp;gt;A Golden Brain by Kraus\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40943184052404,"sku":"UE297","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/kraus-a-golden-brain-651503.jpg?v=1652823430"},{"product_id":"white-light-jo-bogaert-whale","title":"White Light \/ Jo Bogaert - Whale","description":"\u003cp\u003e\u003cem\u003eStroom \/ Belgium \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003csection class=\"block block-system clearfix clearfix\" id=\"block-system-main\"\u003e\n\u003cdiv class=\"block-content\"\u003e\n\u003cdiv class=\"ds-4colnode node-record view-mode-full record-nodes clearfix\" typeof=\"sioc:Item foaf:Document\" about=\"\/record\/vinyl\/whale\"\u003e\n\u003cdiv class=\"card basic-margin-top-bottom clearfix\"\u003e\n\u003cdiv class=\"group-4 record-node record-node__description\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eStrange lovesongs from the Belgian Dender area in the early 80's\u003cbr\u003e\"\u003cbr\u003eThe other night when I was talking to my friend\u003cbr\u003eI said: believe me, I wasn’t far from death when I lived in the hotel\u003cbr\u003ethe only thing that he could do was take me in his arms\u003cbr\u003eand love me and kiss me and show me the difference between\u003cbr\u003efriendship and love but there is none\u003cbr\u003e\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block block-views clearfix\" id=\"block-views-more-like-this-block\"\u003e\u003c\/section\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1219381892\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/stroomtv.bandcamp.com\/album\/whale\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Whale by White Light \/ Jo Bogaert\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40943266300084,"sku":"STREP-048","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/white-light-jo-bogaert-whale-210017.jpg?v=1652823772"},{"product_id":"sea-urchin-yaqaza","title":"Sea Urchin - Yaqaza","description":"\u003cp\u003e\u003cem\u003e(K-RAA-K)³ ‎ \/ Belgium \/ 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSea Urchin is the Berlin-based brainchild of the Italian Francesco Cavaliere and the Egyptian-Austrian Leila Hassan. Being core members of the underground, they already released a 7” in 2012 on D.A.S., a tape in 2014 on Stenze Quo, and Cavaliere recently released two solo-LP’s on Hundebiss. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYaqaza is their long-awaited vinyl debut. The duo surprises with a multicoloured, mystic and intriguing collage of deconstructed pop hits, Italian music concrète, King Tubby-like dub and Algerian Rai. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is no coincidence that Yaqaza is Arabic for ‘daydream, reverie’. The record is a virtual reality labyrinth in which you wander around sleepwalking, constantly opening new doors and sliding between tableaux vivants. The poetic vocals by Hassan, alternately in Arabic and English, is an absent guide that takes you to ethereal micro-cosmoses. Dubby baselines, a cold drum computer, analog electronics and subtle tape collages come together in an intriguing and wondrous web of unravelling side plots. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYaqaza is a magic realist frame narrative. The side roles are performed by Sicilian salt miners, Bolaji Badejo (actor of the Alien in the movie with the same name) or Cheba Nouria (an Algerian pop star).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1952147457\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/kraak.bandcamp.com\/album\/yaqaza\"\u0026amp;amp;amp;amp;amp;amp;gt;Yaqaza by Sea Urchin\u0026amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40946692391092,"sku":"K089","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/sea-urchin-yaqaza-621020.jpg?v=1652823587"},{"product_id":"various-musique-concrete","title":"Various - Musique Concrete","description":"\u003cp\u003e\u003cem\u003eCacophonic  \/  UK \/  2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eUndoubtedly one of the most influential experimental and electroacoustic musicians, Pierre Schaeffer is also credited as being the father of the theory of musique concrete as well as later name coining the term itself. Having found a job in 1936 at Radiodiffusion Française (later Radiodiffusion-Télévision Française or RTF) as an engineer, Scaeffer developed a newly found interest in music and with the blessing of his superiors made the most of his access to the Radiodiffusion Française studios, utilising his abilities as an engineer to experiment with sound whilst collaborating with musicians and composers that passed through the station’s hallowed doors. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1942 Schaeffer and influential theatre director, producer and actor Jacques Copeau founded the Studio d’Essai (renamed Club d’Essai in 1946) as part of RTF in order to experiment with radiophonic techniques. Drawing on the works of French filmmaker, critic and novelist Jean Epstein, Schaeffer would occupy his time and his mind with the manner in which sound recordings “revealed what was hidden in the act of basic acoustic listening” and in 1948 formally set about his research in ernest - the results of which were presented as a series of studies known as Cinq études de bruits (Five Studies of Noises) during a concert in Paris. \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/267825552\u0026amp;color=%230e0d0d\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/finderskeepersrecords\" title=\"Finders Keepers Records\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eFinders Keepers Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/finderskeepersrecords\/michel-philippot-ambiance-i\" title=\"Michel Philippot - Ambiance I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eMichel Philippot - Ambiance I\u003c\/a\u003e\n\u003c\/div\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40950609838260,"sku":"17CACKLP","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/various-musique-concrete-252406.jpg?v=1652823768"},{"product_id":"gerry-and-the-holograms-gerry-and-the-holograms","title":"Gerry And The Holograms - Gerry And The Holograms","description":"\u003cp\u003e\u003cem\u003eCache Cache \/  UK \/  2017\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2609229991\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/finderskeepersrecords.bandcamp.com\/album\/gerry-and-the-holograms\"\u0026amp;amp;gt;Gerry And The Holograms by Gerry \u0026amp;amp;amp;amp; The Holograms\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40950870900916,"sku":"CACHE018LP","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/gerry-and-the-holograms-gerry-and-the-holograms-973242.jpg?v=1652823418"},{"product_id":"alan-vega-2007","title":"Alan Vega - 2007","description":"\u003cp\u003e\u003cem\u003eDigging Diamonds \/ France \/ 2018 \/ 2LP\u003c\/em\u003e  \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/540795000\u0026amp;color=%23000000\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Alan Vega\" href=\"https:\/\/soundcloud.com\/alanvegaofficial\" target=\"_blank\"\u003eAlan Vega\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"2007\" href=\"https:\/\/soundcloud.com\/alanvegaofficial\/sets\/2007-29\" target=\"_blank\"\u003e2007\u003c\/a\u003e\n\u003c\/div\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40951031791796,"sku":"DIGGING60-1","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/alan-vega-2007-920394.jpg?v=1652823306"},{"product_id":"tasting-menu-stand-closer-when-you-have-something-to-say","title":"Tasting Menu - Stand closer when you have something to say","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eMappa \/ Slovakia \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e[…] \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRound pond frozen over, swathed in snow. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMy glasses keep fogging up \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto generalize ego relation so \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI take you all as one! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehide my tall purple shadow \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein taller tree shadow \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto remove observer from scene. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe wind makes warm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eobstruction out of me. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e[…] \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e— Will not try to make love, Catherine Wagner \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eStand closer when you have something to say documents two separate elaborations upon a single physical space: a studio in Los Angeles, California with concrete floors and large, wooden firehouse-style doors that face a moderately busy street. Tasting Menu—a trio of multi-instrumentalists Tim Feeney, Cody Putman, and Cassia Streb—give attention to the room by rubbing its surfaces; opening and closing its portals; allowing its natural resonances; and moving about it spatially, left to right and front to back. These two\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e collective improvisations—“While shaking the box” and “I heard glass breaking,” recorded April 3 rd and 18 th of 2020, respectively—are full of texture, haze, sadness, motion, color, mischief, disjuncture, and gel, while leaving little trace of the slightly less welcome substance that is performer ego. \u003cbr\u003e\u003cbr\u003eThe ensemble took the album’s titular phrase as a sort of text score, a prompt inspired by the common bluegrass one-mic recording technique where an instrumentalist or vocalist in an ensemble positions their body closer to the room’s mic as they begin to take the lead line in a song. In this case, however, the performers do not have their mind towards a lead\/rhythm ensemble relationship, but instead towards the establishment and curation of a gestalt texture, welcoming and incorporating all other sound present within the room and hearing it as a singular whole. In such a setup, each performer projects their listening, playing to the imagined ears of a future listener as represented by a stereo recording device. With each performer effectively playing producer on the spot, the recording has more in common with a collage work than a more typical documentation of a group improvisation might. \u003cbr\u003e\u003cbr\u003eBy nature of their site-engaging performances Tasting Menu’s slight oeuvre emphasizes the scenes and sounds of Los Angeles and the areas immediately surrounding. For instance, the ensemble’s 2020 release for Full Spectrum, Mueller Tunnel is “a site-specific performance that was recorded on-location within” its namesake tunnel, “located in the Angeles Mountains, roughly 20 miles north of Pasadena, California.” Accompanied by a beautiful book featuring photo documentation by Eric Basta and graphic transcriptions by the ensemble’s own Cassia Streb, the project carries a distinctive dry and rocky spaciousness unique to the Southern California landscape. \u003cbr\u003e\u003cbr\u003eFollowing that, the first track on Stand closer when you have something to say was recorded during a rare Los Angeles thunderstorm. Rain in L.A. has a somewhat intoxicating effect. As the city’s toxic layer reaches land via precipitation, the city’s streets slicken with built up auto oil, trash makes its way to the shoreline, and recently scorched hillsides fall prey to floods and mudslides. These are the odd symptoms of a drought-stricken city at last finding long overdue nourishment and coming to life, like a body rejecting water after becoming dehydrated. Luckily, the city is already a slow wash of tan and gray hues with little organizing structure, so its inhabitants aren’t oblivious to the noisy static affect that a storm might bring. The trio engages in an Angeleno way, opening doors and letting the storm’s roar sweep the structure, not giving space for it and not competing with it, but playing within it, playing rough around it. \u003cbr\u003e\u003cbr\u003eIt’s only within the album’s final quarter that any ensemble member plays a pitched instrument. The eventual appearance of tone is somewhat startling following nearly an hour of noise-based textures, but the sudden harmony lends a proper cadence, an uncanny resolution which allows the listener’s own space to speak. For this listener—who does most of her work out of a garage in Los Angeles, CA—, that space happens to also be a small room with concrete floors and a large door which is often open to whatever weather the city might bring. \u003cbr\u003e\u003cbr\u003e- Leah Levinson (Happiness Journal, Tone Glow, Soap Ear) \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4018811947\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mappa.bandcamp.com\/album\/stand-closer-when-you-have-something-to-say\"\u003eStand closer when you have something to say by Tasting Menu\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40956938387636,"sku":"MAP024CS","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/tasting-menu-stand-closer-when-you-have-something-to-say-844922.jpg?v=1652823685"},{"product_id":"antonina-nowacka-lamunan","title":"Antonina Nowacka - Lamunan","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eMondoj \/ Poland \/ CS 2020 \u0026amp; LP 2022\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eForged alone in a cave on the island of Java, and recorded in a fortress in Poland, Antonina Nowacka’s “Lamunan” is an intimate exploration of a mysterious darkness and the earliest of musical forms. Nowacka has co-created raw electronics and audiovisuals as half of WIDT and the enigmatic Mentos Gulgendo, but her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself – leading her to a six-month trip to study traditional music in Indonesia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA day trip to visit a Javanese volcano turned into days of exploring, Nowacka eventually stumbling across a cave. “Rarely does anyone come there because Indonesians are afraid of the dark and the cave is poorly lit,” explains Nowacka. “I could sit there and sing for hours without feeling the passage of time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHours spent in the dizzying darkness and echoes of Seplawan Cave produced a series of unaccompanied vocal motifs. Moans, chants, hums, and wordless cries met with the multi-million year-old facades of the stone walls. The freely flowing compositions seem forged from the same natural material as that stone, carved into shape by nothing but water, time, and solitude.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUpon returning to Poland, Nowacka recorded with Rafal Smoliński in the cave-like sonic conditions of the Modlin Fortress some 50km north of Warsaw. The intimate and surreal sound of the cave is recreated, Nowacka overlapping multiple vocal lines to create delicately interwoven chamber choral pieces, musically minimalist and emotionally maximalist. The album’s title – \"Lamunan\" – comes from the Indonesian word for ‘dreaming’ or ‘fantasy’. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3462534902\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/mondoj.bandcamp.com\/album\/lamunan\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Lamunan by Antonina Nowacka\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Limited Edition Pro-dubbed Cassette","offer_id":44132944019743,"sku":"MONDOJ13CS","price":12.0,"currency_code":"EUR","in_stock":false},{"title":"Remastered Vinyl LP","offer_id":44132944085279,"sku":"MONDOJ13CS-2","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/antonina-nowacka-lamunan-973648.jpg?v=1652823285"},{"product_id":"ariel-kalma-french-archives-vol-ii-1974-1985","title":"Ariel Kalma - French Archives Vol. II 1974-1985","description":"\u003cp\u003e \u003cem data-mce-fragment=\"1\"\u003eBlack Sweat Records \/ Italy \/ 2021 \/ Box\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe new magic compendium of Ariel Kalma: a box with 4Lp, including different coloured inner sleeves, a large booklet with credits and beautiful unreleased photos, illuminating perfectly the depth of his traveling soul. Few, like Ariel, have really been able to dedicate their life to a tireless experimentation in music. In according to a subtle plot, between his experiences in the World and the restitution of them, he has always found multifaceted combinations of sounds. Kalma uses anything that can stimulate his impressions, expanding his action without boundaries: church bells, dilated flutes, tape machine, drum machine, Revox loops, Flanger, reverberations, War drums, modular and wasp synth, Yamaha Ps.20, Farfisa. etc. Through the 4Lp of the collection, his mind undergoes significant changes, almost corresponding to 4 different moments or states of consciousness. In Delirium GRM he paints his personal dark side of the Trip, operating for crazed de-temporalizations and de-specializations: obsessive hallucinations, wastelands of spectral visions, fractals of darkness or alien caverns. Conversely, in Dream Stars, the galactic ascension (Schulze\/Ash Ra Temple) becomes happy and luminous in its take-off and landing phases. The cosmic electric-Gnawa, in Rue De la Gaite, reveals an even more calm spirit, with amazing\u003cspan class=\"bcTruncateMore\"\u003e stylistic intersections between India, Turkey and Morocco, and makes use of some exceptional guests including Loy Ehrlich (Hadouk Trio). Kula Confidential translates the vibes of his journey on the island of Maui, between mantra sax and ocean waves, memories of primitive and ancient populations and silent archaeological atmospheres.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4275554905\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/blacksweat.bandcamp.com\/album\/french-archives-vol-ii\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;French Archives Vol. II by Ariel Kalma\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40956948349108,"sku":"BS063","price":62.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/ariel-kalma-french-archives-vol-ii-1974-1985-254996.jpg?v=1652823290"},{"product_id":"michael-tanner-sharron-kraus-in-the-rheidol-valley","title":"Michael Tanner, Sharron Kraus -  In The Rheidol Valley","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMorc Records \/  Belgium \/  2011\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAs the albums title suggest the whole thing was recorded in Rheidol Valley which is situated in mid to western Wales between  Aberystwyth and  Devil’s Bridge. The Rheidol Valleys environment is a mixture of river, waterfalls, ancient oak forests, farm land and moorland. The pair utilize for the album field recordings of water, animals, walking and general outdoor sound- these field recordings are seemingly left untreated, and only edited\/ arranged in a effective manner around  the improvised folk instrumentation or left to play out in real time under the pairs folk textures. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe  instrumentation thoroughout the album is sparse and often quite barren in it’s feel\/ vibe. The pair utilize a mixture of: strummed, picked \u0026amp; plucked  acoustic guitars and possibly banjos, bells, ritual drums, and buried\/ wavering  females vocals. The improvised music is  often angular, discordant, ritual and often quite creepy in it’s feel, and it summons up to me images of quiet, ancient \u0026amp; chilling pagan ceremonies taking place under waterfalls, by grazing sheep or in mossy clearings in ancient oak forests. Yet  for all the uneasy and fear here there are also odd moments of poignant and crystalline beauty like “valley 4” the last track on side B, which finds the pair fading in and out a haunting\/ melodic twin stringed composition\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e over a backing of distant waterfall and bird song recordings \u003cbr\u003e\u003cbr\u003eThe album offers up eight tracks  in all which last between just under a minute to nearing the six and a half minute mark a piece. Only the  first short intro track is purely field recording based, and from there on in each track is a mixture of often distant\/ buried field recordings \u0026amp; the pairs ritual\/ wavering  improvised folk compositions. \u003cbr\u003e\u003cbr\u003eSo to sum up “In the Rheidol Valley”  is a creepy, often discordant, and unsettling  record with that’s flecked with odd moments of  melodic\/ felt folk beauty . For fans of barren \u0026amp; uneasy acoustic music, and  vocal-less  improvised folk matter.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 270 copies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2234265522\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/sharronkraus.bandcamp.com\/album\/in-the-rheidol-valley\"\u0026amp;amp;gt;In the Rheidol Valley by Michael Tanner \u0026amp;amp;amp;amp; Sharron Kraus\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40956999336116,"sku":"Morc57","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/michael-tanner-sharron-kraus-in-the-rheidol-valley-358127.jpg?v=1652823485"},{"product_id":"pye-corner-audio-faten-kanaan-the-darkest-wave","title":"Pye Corner Audio, Faten Kanaan - The Darkest Wave","description":"\u003cp\u003e\u003cem\u003ePolytechnic Youth \/ UK \/ 2017 \/ 7\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNext up on Polytechnic Youth is a fabulous 45. Arguably the label’s highest profile release thus far; the mighty Pye Corner Audio joining forces with PY label mate Faten Kanaan for an ace split 45. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn PCA's Martin Jenkins' own words: “Faten Kanaan first came to my attention with her wonderful cassette release 'EP'. We started corresponding shortly after that and I always had it in mind that we should collaborate on something. So when PY asked if I would contribute to the label, and then released Faten's 'The Botanist \u0026amp; The Archaeologist' LP things seemed perfectly aligned”. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA side “The Darkest Wave” features pulsing icy synth drones over which Faten’s cool NY narrative owes nods to some 70’s Carpenter-eque VHS chillwave soundtrack, (not unlike some of Umberto’s work of the last decade or so.) A beautifully evolving, slow burner piece which over continuous plays reveals one of the year’s great A sides so far. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe B side is a stripped down piece more in keeping with the seminal minimal synth singles of the late 70s beloved by both artist and label here. Indeed, Martin Jenkins’ sleeve art also doffs it’s cap to the artwork feel of some of those legendary post punk 45s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527776911\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/pyecorneraudio.bandcamp.com\/album\/the-darkest-wave\"\u0026amp;amp;gt;The Darkest Wave by Pye Corner Audio\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957004644532,"sku":"PY43","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/pye-corner-audio-faten-kanaan-the-darkest-wave-858314.jpg?v=1652823530"},{"product_id":"volodymyr-bystriakov-battlefield-1986","title":"Volodymyr Bystriakov - Battlefield, 1986","description":"\u003cp\u003e\u003cem\u003eShukai \/ Ukraine \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnimated films soundtrack is one of the most substantial aspects of Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the USSR, as well as \"Battleground\" was the first and only film adaptation. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Battlefield\" is a work that belongs entirely to its time. This soundtrack is a semi-conscious journey through the night TV network: from Italian horror movies and detectives to the movie Blade Runner on the last working channel well past midnight. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eActually, in such a sequence, the fabric of the work is revealed. The atmosphere in the style of Goblin (Untitled I), thus echoing the work of Enno Morricone (Title theme, Theme of the boss). In addition to melodic fragments, he boldly creates minimalist pieces that undoubtedly sound like an early acid house (Untitled II), because the sounds of Roland TB-303 and TR-606 are instantly\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recognisable. \u003cbr data-mce-fragment=\"1\"\u003eBystryakov's approach did not involve the use of many tools or effects. He worked with one Roland Juno-106 synthesiser, using the full palette of its sound. His new tool is a counterpoint. This is how the final theme (End Theme) is constructed, where a piercing solo on a saxophone changes the atmosphere to nostalgia.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271089930\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;lt;a href=\"https:\/\/shukai.bandcamp.com\/album\/battlefield-1986\"\u0026amp;amp;amp;gt;Battlefield, 1986 by Volodymyr Bystriakov\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957047308468,"sku":"Shukai 5","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/volodymyr-bystriakov-battlefield-1986-981901.jpg?v=1652823766"},{"product_id":"marble-lowah","title":"Mårble - Löwah","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eMuscut \/ Ukraine \/ 2020 \/ 7\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSt. Petersburg’s lion Mårble brings us his three-pieces electroacoustic dubbing of wind instruments, soft percussions, deep bass and blotches of pseudo-ritualistic undefined spoken words. Anton Glebov is a founder of Hair Del. Records and also known with his releases on such labels as Natural Selections, Not Not Fun and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957079617716,"sku":"Muscut 19","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/marble-lowah-835710.jpg?v=1652823483"},{"product_id":"ol-saigon-special-room","title":"OL - Saigon Special Room","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eMuscut \/ Europe \/ 2019 \/ 7\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn a hot summer day, you enter the main hall of a well-known local Vietnamese restaurant. The noise of the visitors' voices merges with the national music playing in the background. All seats are occupied in the hall and the polite staff takes you to a separate room where the atmosphere of calm and comfort prevails. Beautiful interior, cool air and soft light conducive to relaxation. Exotic dishes and drinks allow you to fully enjoy the authenticity. Far away in the distance voices from the main hall are now barely audible, you are in anticipation of a great evening.\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924791060\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/olegbuyanov.bandcamp.com\/album\/saigon-special-room\"\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Saigon Special Room de OL\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957110288564,"sku":"Muscut 11","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/ol-saigon-special-room-485802.jpg?v=1652823525"},{"product_id":"malagasy-gilson-malagasy","title":"Malagasy \/ Gilson  -  Malagasy","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSouffleContinu Records \/  France  \/  2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eParis, May 13th 1968. There was a general strike. One last plane left the runway, strewn with flaming oil drums. On board were three jazz musicians wondering whether they would be able to return home one day. But for the time being they really want to make it to Madagascar where concerts and workshops with young local musicians were waiting for them. Pianist and bandleader Jef Gilson was accompanied by his bassist Gilbert \"Bibi\" Rovère (Martial Solal Trio) and the young drummer Lionel Magal (Crium Delirium). Gilson, who already had a reputation for finding new talent (it was thanks to him that, amongst others Jean-Louis Chautemps, Henri Texier, Jean-Luc Ponty or Michel Portal first became known) was literally blown away by the standard of the young Malagasy musicians, all capable of imitating their American idols by ear. Their names were known only to jazz fans on the island; Serge, Allain and Georges Rahoerson, Arnaud Razafy, Roland de Comarmond, Joel Rakotomamonjy, Alain Razafinohatra, Samuel Ramiara... Gilson then had a vision: he wanted to encourage them to play jazz which was truly Malagasy and which would find its’ soul in the island’s culture and traditional instruments (Sodina flute, valiha, various percussion instruments...). \u003cbr\u003e\u003cbr\u003eHe would go back to the big island three times, in March\u003cspan class=\"bcTruncateMore\"\u003e (with cellist Jean-Charles Capon), in October 1969 (alone), then in February 1970 (as a trio with guitarist Raymond Boni and drummer Bertrand Gauthier). The two trips in 1969 would lead to the sessions, recorded on a simple ReVox with two Neuman microphones, which would make up the essential part of this mythical album entitled \"Malagasy\", and first issued in 1972 on the Lumen label, and then reissued, as early as 1973, on Palm, Jef Gilson’s own label. \u003cbr\u003e\u003cbr\u003eApart from the last track, recorded in Paris in 1971 with Malagasy instruments brought back from trips by the trio which would play on the avant-garde \"Le Massacre du Printemps\" (Futura), all the other compositions on the album are by Jef Gilson, Jean-Charles Capon and the young saxophonist Serge Rahoerson. There is also a cover of a song issued just a few months earlier and that the Malagasy musicians had only heard through bits and pieces played by Gilson on piano: the song is \"The Creator Has A Masterplan\" by Pharoah Sanders, and it is one of the most wild and mystical versions you will ever hear. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn May 1972, Madagascar itself would be the theatre of youth revolt. And the composition \"Avaradoha\" by Serge Rahoerson, the second track of the first side of this album, would be the anthem of the revolution on the streets.\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2362037301\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/soufflecontinurecords.bandcamp.com\/album\/malagasy\"\u0026amp;amp;gt;Malagasy by Malagasy \/ Gilson\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957245685940,"sku":"FFL066","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/malagasy-gilson-malagasy-769275.jpg?v=1652823578"},{"product_id":"sylvin-marc-del-rabenja-madagascar-now","title":"Sylvin Marc \/ Del Rabenja  - Madagascar Now","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSouffleContinu Records \/  France  \/  2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhile he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had \u003c\/span\u003e\u003cspan\u003emet in Paris in 1972 (and who can be heard on the album \"Malagasy At Newport-Paris\"), Jef Gilson realised that two of his \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003enew discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legendary \u003c\/span\u003e\u003cspan\u003eseja-jazz band from La Réunion, Le Club Rythmique), were also skilled composers. They were capable of reinventing jazz and \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etraditional Malagasy music, adding influences from the new generation inspired by pop, rock and funk into the mix. He \u003c\/span\u003e\u003cspan\u003eoffered them the chance to share the two sides of an album recorded on his own label, Palm, alongside their compatriots. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnge \"Zizi\" Japhet, Gérard Rakotoarivony and Frank Raholison. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is how Del Rabenja and Sylvin Marc came to record this \"Madagascar Now \/ Maintenant 'Zao\". The first side really \u003c\/span\u003e\u003cspan\u003eshowcases the valiha (a small Malagasy harp) of Del Rabenja who uses the occasion to pay homage to the sadly missed \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRakotozafy, often called the Django Reinhardt of the instrument. His three compositions are full of spirituality and invite an \u003c\/span\u003e\u003cspan\u003ealmost trance-like state. But Rabenja is equally a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e very good tenor saxophonist and organist on the other tracks. The other \u003cbr\u003eside displays the full range of talents of the multi-instrumentalist and composer Sylvin Marc, who moves from bass to drums, from vocals to percussion and offers four compositions ranging from free jazz to cosmic groove. \u003cbr\u003e\u003cbr\u003eAt the same period the five men could also be found amongst the cast list of the mythical albums, \"Funny Funky Rib Crib\" by Byard Lancaster and \"Soul Of Africa\" by Hal Singer \u0026amp; Jef Gilson. Later, Sylvin Marc would play bass for Nina Simone on \u003cbr\u003eher album \"Fodder On My Wings\" in 1982, then join the team of violinist Didier Lockwood, while Del Rabenja would be part of Manu Dibango’s and Eddy Louiss’ orchestras for a long time and would even be at the front of the top 50 at the end of \u003cbr\u003ethe 80s with David Koven. He would also be the special guest of the Palm Unit trio (Fred Escoffier, Lionel Martin, Philippe \"Pipon\" Garcia) on their first album, an homage to the œuvre of Jef Gilson, in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3052231940\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;lt;a href=\"https:\/\/soufflecontinurecords.bandcamp.com\/album\/madagascar-now\"\u0026amp;amp;amp;gt;Madagascar Now by Sylvin Marc \/ Del Rabenja\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957289857204,"sku":"FFL067","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/sylvin-marc-del-rabenja-madagascar-now-627837.jpg?v=1652823587"},{"product_id":"william-eaton-music-by-william-eaton","title":"William Eaton - Music By William Eaton","description":"\u003cp\u003e\u003cem\u003eMorning Trip \/ Canada \/  2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOriginally released in 1978, Music By William Eaton is a private-press album from the accomplished experimental stringed instrument builder. The atmospheric recording techniques, mixed with a hint of Fahey\/Takoma-lineage make for a listening experience akin to the mountainscape drawing represented on the album cover. The experience may seem simple at first, but like any great trip in nature, new details consistently reveal themselves upon each listen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e “When I started building instruments, playing guitar took on a whole new dimension. From the conception to the birth of each instrument, new layers of meaning unfolded. Cycles, connections and interdependencies became apparent as I contemplated the growth of trees from seed to old age, and the transformation from raw wood to the building of a musical instrument. I sought out quiet natural environments to play and listen to the “voice” of my 6 string, 12 string, 26 string (Elesion Harmonium) and double neck quadraphonic electric guitar. Deep canyons contained a beautiful resonant quality and echo. A starlit night with a full moon provided all the reflection and endless space by which to project music into the cosmos. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sound of a bubbling stream and singing birds added a natural symphonic tapestry to a melody or chord pattern. As I perceived it, everything was participating in a serendipitous dance. Everything was part of the music. During this time, I decided to record an instrumental album of music. The idea was simple; it would be a series of tone poems with no titles or any information attached, only the words ‘Music by William Eaton.’ While some of the songs evolved out of composed chord progressions, most of the songs were played spontaneously, only on the occasion of the recording. These improvised songs haven’t been played since.” -- William Eaton Recommended for fans of John Fahey, Harry Partch, Robbie Basho, Laraaji\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=390008775\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/williameaton.bandcamp.com\/album\/music-by-william-eaton\"\u003eMusic By William Eaton by William Eaton\u003c\/a\u003e\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957322952884,"sku":"MT005","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/william-eaton-music-by-william-eaton-925540.jpg?v=1652823762"},{"product_id":"electric-party-play","title":"Electric Party ‎- Play","description":"\u003cp\u003e\u003cem\u003eKnekelhuis \/ Netherlands \/ 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eForty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eblissful \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003ejoy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe worked 4 years to tie the strings together and we’re more than excited to release it, with its marvelous background story, well captured in liner notes written by Hannah Pezzack, and printed on a full-color inner sleeve.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 350px; height: 350px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585775477\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/knekelhuis.bandcamp.com\/album\/play\"\u0026amp;amp;gt;Play by Electric Party\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957393535156,"sku":"KH036","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/electric-party-play-755016.jpg?v=1652823381"},{"product_id":"minoru-hoodoo-fushimi-in-praise-of-mitochondria","title":"Minoru 'Hoodoo' Fushimi - In Praise Of Mitochondria","description":"\u003cp\u003e\u003cem\u003eLeft Ear Records \/ Australia \/ 2017 \/ 2LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJapanese Electro original, Minoru Hoodoo Fushimi, self-released four albums. Two vinyl LPs and two CDs between 1985 and 1992. Melbourne`s Left Ear Records have selected twelve tracks, for a double vinyl retrospective. 10 tracks from Minoru`s four albums and a further two unreleased tracks from the archives. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinoru set out to combine his love of all things Funk with traditional instruments and song from his homeland. He uses shamisen on Thanatopsis. Where Parliament`s Flashlight, George Clinton`s Atomic Dog, ride with Osamu Kitajima`s Masterless Samurai. Shakuhachi on Mizuko No Tamashii Hyakumademo. Nohdashi puts koto with a Jimmy Castor riff. All set to popping and locking \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003ebeats.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eMinoru`s vocals switch between raps about cellular\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003e metabolism and haemoglobin, Soul croon and vocoder. On Shinz-San he adds Metal guitar to vintage Sugarhill. And he goes crazy with his sampler. Scratching in cats, frogs, babies, laughter, giggles, traffic jams, failing ignitions, opera singers, and amorous sighs. Furarete mixes elephant roars and Go-Go. Creating unique avant grooves that share something with Tackhead`s ON-U Sound System, Savant`s tape experiments, and fellow countrymen EP-4. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCo-compiled by Left Ear Records and Jerome Qpchan\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2489571637\/size=large\/bgcol=ffffff\/linkcol=333333\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;amp;amp;amp;amp;lt;a href=\"https:\/\/minorufushimi.bandcamp.com\/album\/in-praise-of-mitochondria\"\u0026amp;amp;amp;amp;amp;amp;gt;In Praise Of Mitochondria by Minoru \u0026amp;amp;amp;amp;amp;amp;amp;#39;Hoodoo\u0026amp;amp;amp;amp;amp;amp;amp;#39; Fushimi\u0026amp;amp;amp;amp;amp;amp;lt;\/a\u0026amp;amp;amp;amp;amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957396123828,"sku":"LER 1009","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/minoru-hoodoo-fushimi-in-praise-of-mitochondria-318635.jpg?v=1652823536"},{"product_id":"ruedi-hausermann-galerie-randolph","title":"Ruedi Häusermann - Galerie Randolph","description":"\u003cp\u003e\u003cem\u003eBlack Truffle \/ Australia \/ 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Truffle is excited to announce the release of the first-ever vinyl reissue of Ruedi Häusermann’s Galerie Randolph, a masterpiece of solo multi-tracking originally released on CD by Unit Records in 1995. Born in 1948 and residing in the medieval Swiss town of Lenzburg, and virtually unknown outside of the German-speaking world, Häusermann is a multi-instrumentalist and enormously prolific composer who works primarily in the medium of absurdist music-theatre. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA virtuoso wind player and free improviser who also composes for traditional classical instrumentation, his work is characterised by subtly surreal humour and the unlikely combination of extended technique and simple, at times almost child-like, melodic ideas. Named after his rehearsal room in Lenzburg, Galerie Randolph uses an enormous array of instruments to craft a work of singular compositional vision. Each of the twelve pieces begins from the same two elements: a woozy, sliding scatter of tones played on a home-made contraption stretching two guitar strings between the top of Häusermann’s alto saxophone and an amplified cup, and a series of uneasy block chords sounded on accordion and reeds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn each piece these two elements (whose pitch gradually raises throughout the record) are complemented by entirely different material, all of it\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e played by Häusermann. Ranging from layered flutes to one-finger piano melodies to unintelligible vocals to musique concrete interjections to free jazz saxophone explosions, these additional layers combine with the endlessly returning idée fixe of the foundational elements to create a truly dream-like listening experience, a gently deranged realm in which we lose all sense of linear time. Calling up the most unlikely combinations of possible predecessors – Erik Satie, Gerry Mulligan, and Helmut Lachenmann perhaps? –Galerie Randolph ultimately defies comparison. Almost unknown except to a select group of cognoscenti such as Jim O’Rourke, yet destined to become a cult classic, Galerie Randolph is an instance of that most rare thing: music the likes of which you have never heard before. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe gatefold sleeve with gorgeous archival images by the composer. Design by Stephen O’Malley. Mastered and cut by Rashad Becker at D\u0026amp;M, Berlin\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2570049964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/transparent=true\/\" style=\"border: 0; width: 350px; height: 350px;\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"https:\/\/blacktruffle.bandcamp.com\/album\/galerie-randolph\"\u0026amp;amp;gt;Galerie Randolph by Ruedi Häusermann\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e","brand":"ElMuelle1931","offers":[{"title":"Default Title","offer_id":40957486563508,"sku":"BT042","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/products\/ruedi-hausermann-galerie-randolph-642312.jpg?v=1652823519"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0538\/4486\/9300\/collections\/ultimas-copias-237683.jpg?v=1672248404","url":"https:\/\/www.elmuelle1931.com\/collections\/ultimas-copias.oembed?page=53","provider":"ElMuelle1931","version":"1.0","type":"link"}